I received this book for free from St. Martin's Press in exchange for an honest review. This does not affect my opinion of the book or the content of my review.Between the Blade and the Heart by Amanda Hocking
Series: Valkyrie #1
Published by Wednesday Books on January 2nd 2018
Source: St. Martin's Press
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Valkyries have one great responsibility: to return immortals to the afterlife by slaying them. As a Valkyrie, Malin has always known that the balance of the world rests on her ability to carry out orders. But when Malin discovers that her mother spared the life of an immortal who was destined to die, her world is thrown into chaos.
Malin not only wrestles with the knowledge that her mother might not be who she thought—she’s also thrust into the path of a gorgeous blue eyed guy named Asher who needs her help slaying the rogue immortal who destroyed his family. The balance of the world is at stake. And, as Asher competes with Malin’s ex for her love and loyalty, so is her heart.
Q&A with Amanda Hocking
Q: What or who was the inspiration behind Between the Blade and the Heart?
A: I have already written several books inspired by Scandinavian folklore, and I was always fascinated by Valkyries. But because I had already done in Scandinavian fantasy, I wanted to come at this one from a different angle. I imagined the Valkyries helping to police a gritty, diverse, cyberpunk metropolis, in a world filled with not just Norse figures but from many mythologies.
Q: What are the life lessons that you want readers to glean from your book?
A: That love is a strength, not a weakness.
Q: If you were given the chance to go on a date with one of your characters, who would you choose and what would you do together?
A: Oona. She doesn’t swing that way, but since I’m married anyway, it would be a friendship date. I think it would be fun to go to an apothecary with her and have her show me around the magic. Or maybe just veg out and watch bad movies.
Q: Would the essence of your novel change if the main protagonist were male?
A: Yes, it would be changed dramatically. For one, Valkyries are women. But I also think the book explores the relationships between mothers and daughters, and friendships between young women.
Q: What is your definition of true love in YA literature?
A: There has to be passion and desire – not necessarily anything physical, but so much of young love is about yearning. But I also think that true love is based on mutual respect and selflessness.
Q: What advice would you give to someone who wanted to be an author/start writing?
A: My biggest piece of advice is to just write. It’s so easy to get caught up in self-doubt or procrastination. There are lot of great books and blogs about the art of writing, but the most important thing is really to just do it. The best way to get better at writing is by doing it.
Q: What’s one book you would have no trouble rereading for the rest of your life?
A: It would be a toss up between Maniac Magee by Jerry Spinelli and Cat’s Cradle by Kurt Vonnegut. I’ve read both of those books a dozen times already, at least, and I never get sick of them.
Q: How did you name your characters? Are they based on people you know in real life?
A: It’s combination of names I like and taking inspiration from the world itself. With Between the Blade and the Heart, the names were inspired both by the mythology they come from – many Valkyries have Norse names like Malin, Teodora, and Freya, for example – and the futuristic setting of the book, so I wanted names that seemed a bit cooler and just slightly different than the ones we use now.
Q: Alright, Amanda, I know you’re a movie buff. What are some movies your characters would pick as their all-time favorites?
A: That’s a tough one. Malin – The Crow, Oona – Pan’s Labyrinth, Quinn – Wonder Woman, Asher – Inception, and Marlow – Twelve Monkeys.
Q: Which mythological character is the most like you?
A: Demeter, because she’s pretty dramatic – she basically kills all the plants in the world when her daughter goes missing – but she’s also determined, and will stop at nothing to protect those she cares about.
Q: Who is your favorite character in this book and why?
A: Oona or Bowie. Oona because she’s so practical, supportive, and determined, and Bowie because he’s adorable.
Q: What is your favorite scene and why?
A: I don’t know if there is one particular scene that I loved more than the others, but I really enjoyed writing about the city that Malin lives in and all the creatures that inhabit it.
Q: What cities inspired the urban haven where the Valkyries live?
A: I was really obsessed with this idea of an overpopulated metropolis, and so I took a lot of inspiration from some of the biggest cities in the world, particularly Tokyo, Mexico City, Mumbai, and Manila. The city itself is actually a sort of futuristic, alternate reality of Chicago (one of my favorite cities in the world), and I wanted to incorporate that into it as well.
Q: What came first: The world, the mythology, or the characters?
A: I usually say the characters come first, and the world builds around it. But for this one, it really was the world that drew me into it. I knew I was writing about a young woman who was a Valkyrie, but that about all when I began building up the world and the mythology.
Q: I love that these characters are in college. What inspired this choice?
A: Because of the complex relationship Malin has with her mother, I knew I wanted some distance between them, so I thought putting her in college, living away from her mom, was a good way to do it. Plus, I thought it would be fun to explore the all the supernatural training that would be needed to do these specialized jobs that come up in a world where every mythological creature exists.
Q: What songs would you include if you were to make a soundtrack for the book?
A: This is my favorite question! I love creating soundtracks that I listen to while writing a book, and here are some of my favorite tracks from my Between the Blade and the Heart playlist: Annie Lennox – “I Put a Spell on You,” Daniel Johns – “Preach,” Halsey – “Trouble (stripped),” Meg Myers – “Sorry (EthniKids Remix),” and MYYRA – “Human Nature.”
Q: Was this book always planned as a series or did that develop afterwards?
A: It was always planned as a duology. I don’t want to go into too much or risk spoiling the second book, but I had this idea that one book would be above, and the other below.
Q: Your novels and characters are so layered. How do you stay organized while plotting/writing? Do you outline, use post-it notes, make charts, or something else?
A: All of the above! This one was the most intensive as far as research and note taking goes, and I also had maps, glossaries, and extensive lists of various mythologies. I think I ended up with thirteen pages of just Places and Things. I do a lot of typed notes, but I also do handwritten scribbles (which can sometimes be confusing to me later on when I try to figure out what they mean. I once left myself a note that just said “What are jelly beans?”) For this one, I really did have to have lots of print outs on hand that I could look to when writing.
Q: You’ve said that pop culture and the paranormal both influence your writing. How do these things intersect for you?
A: In a way, I think they’re both about how humans choose to interpret and define the world that surrounds us. So many mythologies come from humans trying to make sense of the seasons and the chaos of existence, and even though we’ve moved past a lot of the scientific questions, pop culture is still tackling our existence. Even when looking at shows made for kids, like Pixar, they handle a lot of difficult concepts, like what it means to love someone else, how to be a good friend, facing your fears, and overcoming loss. These are things that mythologies and stories have been going over for centuries.
Q: Did you choose the title first, or write the book then choose the title?
A: It depends on the book, but I will say with this one that it took a very, very long time to come up with a title. It was already written and edited, and we were still bouncing around different names.
A: How many more books can we expect in “Between the Blade and the Heart” series?
A: One more! From the Earth to the Shadows will be out in April 2018.
Q: What scene from the book are you most proud of (because of how you handled the atmosphere, characters, dialogue, etc)?
A: I don’t want to say too much or risk spoiling it, but there’s a scene near the end of the book where a confrontation leaves Malin reeling. I wrote it in an almost present tense, stream-of-consciousness way because I thought that was the best way to capture the raw intensity of her emotions.
The air reeked of fermented fish and rotten fruit, thanks to the overflowing dumpster from the restaurant behind us. The polluted alley felt narrow and claustrophobic, sandwiched between skyscrapers.
In the city, it was never quiet or peaceful, even at three in the morning. There were more than thirty million humans and supernatural beings coexisting, living on top of each other. It was the only life I’d ever really known, but the noise of the congestion grated on me tonight.
My eyes were locked on the flickering neon lights of the gambling parlor across the street. The u in Shibuya had gone out, so the sign flashed SHIB YA at me.
The sword sheathed at my side felt heavy, and my body felt restless and electric. I couldn’t keep from fidgeting and cracked my knuckles.
“He’ll be here soon,” my mother, Marlow, assured me. She leaned back against the brick wall beside me, casually eating large jackfruit seeds from a brown paper sack. Always bring a snack on a stakeout was one of her first lessons, but I was far too nervous and excited to eat.
The thick cowl of her frayed black sweater had been pulled up like a hood, covering her cropped blond hair from the icy mist that fell on us. Her tall leather boots only went to her calf, thanks to her long legs. Her style tended to be monochromatic—black on black on black—aside from the shock of dark red lipstick.
My mother was only a few years shy of her fiftieth birthday, with almost thirty years of experience working as a Valkyrie, and she was still as strong and vital as ever. On her hip, her sword Mördare glowed a dull red through its sheath.
The sword of the Valkyries was one that appeared as if it had been broken in half—its blade only a foot long before stopping at a sharp angle. Mördare’s blade was several thousand years old, forged in fires to look like red glass that would glow when the time was nigh.
My sword was called Sigrún, a present on my eighteenth birthday from Marlow. It was a bit shorter than Mördare, with a thicker blade, so it appeared stubby and fat. The handle was black utilitarian, a replacement that my mom had had custom-made from an army supply store, to match her own.
The ancient blade appeared almost black, but as it grew closer to its target, it would glow a vibrant purple. For the past hour that we’d been waiting on our stakeout, Sigrún had been glowing dully on my hip.
The mist grew heavier, soaking my long black hair. I kept the left side of my head shaved, parting my hair over to the right, and my scalp should’ve been freezing from the cold, but I didn’t feel it. I didn’t feel anything.
It had begun—the instinct of the Valkyrie, pushing aside my humanity to become a weapon. When the Valkyrie in me took over, I was little more than a scythe for the Grim Reaper of the gods.
“He’s coming,” Marlow said behind me, but I already knew.
The world fell into hyperfocus, and I could see every droplet of rain as it splashed toward the ground. Every sound echoed through me, from the bird flapping its wings a block away, to the club door as it groaned open.
Eleazar Bélanger stumbled out, his heavy feet clomping in the puddles. He was chubby and short, barely over four feet tall, and he would’ve appeared to be an average middle-aged man if it wasn’t for the two knobby horns that stuck out on either side of his forehead. Graying tufts of black hair stuck out from under a bright red cap, and as he walked ahead, he had a noticeable limp favoring his right leg.
He was a Trasgu, a troublemaking goblin, and his appearance belied the strength and cunning that lurked within him. He was over three hundred years old, and today would be the day he died.
I waited in the shadows of the alley for him to cross the street. A coughing fit caused him to double over, and he braced himself against the brick wall.
I approached him quietly—this all went easier when they didn’t have time to prepare. He took off his hat to use it to wipe the snot from his nose, and when he looked up at me, his green eyes flashed with understanding.
“It’s you,” Eleazar said in a weak, craggy voice. We’d never met, and I doubt he’d ever seen me before, but he recognized me, the way they all did when their time was up.
“Eleazar Bélanger, you have been chosen to die,” I said, reciting my script, the words automatic and cold on my lips. “It is my duty to return you to the darkness from whence you came.”
“No, wait!” He held up his pudgy hands at me. “I have money. I can pay you. We can work this out.”
“This is not my decision to make,” I said as I pulled the sword from my sheath.
His eyes widened as he realized I couldn’t be bargained with. For a moment I thought he might just accept his fate, but they rarely did. He bowed his head and ran at me like a goat. He was stronger than he looked and caused me to stumble back a step, but he didn’t have anywhere to go.
My mother stood blocking the mouth of the alley, in case I needed her. Eleazar tried to run toward the other end, but his leg slowed him, and I easily overtook him. Using the handle of my sword, I cracked him on the back of the skull, and he fell to the ground on his knees.
Sigrún glowed brightly, with light shining out from it and causing the air to glow purple around us. Eleazar mumbled a prayer to the Vanir gods. I held the sword with both hands, and I struck it across his neck, decapitating him.
And then, finally, the electricity that had filled my body, making my muscles quiver and my bones ache, left me, and I breathed in deeply. The corpse of an immortal goblin lay in a puddle at my feet, and I felt nothing but relief.
“It was a good return,” my mother said, and put her hand on my shoulder. “You did well, Malin.”
Copyright © 2018 by Amanda Hocking in Between the Blade and the Heart and reprinted by permission of St. Martin’s Griffin.
Between the Blade and the Heart by Amanda Hocking is hitting the in between mark with me this time around. I love her writing but this story wasn’t grabbing me as much as some of her previous titles. This book was very hard to connect too. Mal is a Valkyrie who returns immortals to the afterlife by slaying them. This is to try to keep the balance in the world instead of letting it be thrown into Chaos. When Mal finds out that her mother made a mistake and let and immortal live, she is now on a mission to try to fix the issues that her mother has caused.
Mal is a very strong female character. But she is very hard to connect or relate too. She tends to have some issues with her mother and the family dynamics there are less than desirable. The friendship that Mal has with her roommate is great. I just didn’t find anything super special about the characters. Everyone seemed to be very generic with no uniqueness to them.
The world building in this story is great but I find the characters lacking. I am really hoping that book two will bring a lot more to the story. I love the fact that Hocking is diving into North Mythology in this series but can we get some creativeness with that. Mythology opens up a lot so it would be nice to see more creativity in these books. I am definitely looking forward to seeing where this story is going to go.
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